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| * | | | | | | | | | | | | | | | | allow the addition of the pen tool to the timelinePushkar Joshi2012-04-23
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| * | | | | | | | | | | | | | | | | Merge branch 'master' into pentoolPushkar Joshi2012-04-19
| |\ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | Conflicts: js/helper-classes/3D/view-utils.js
| * | | | | | | | | | | | | | | | | | get the canvas plane matrix before multiplying it with the translation due ↵Pushkar Joshi2012-04-19
| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | to shift in center of rotation
| * | | | | | | | | | | | | | | | | | correctly maintain canvas position when drawing subpaths off the XY plane ↵Pushkar Joshi2012-04-19
| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | (was a bug with starting drawing in those planes)
| * | | | | | | | | | | | | | | | | | for subpaths that have not been initialized with a canvas yet (i.e. no local ↵Pushkar Joshi2012-04-19
| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | coordinates), use stage world mouse positions to translate the anchor points while dragging
| * | | | | | | | | | | | | | | | | | store the canvas center (in local space) per each subpath, instead of ↵Pushkar Joshi2012-04-19
| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | tracking it by the pen tool. This fixes the bug where the canvas transform was incorrectly applied when the stroke width was changed
| * | | | | | | | | | | | | | | | | | turn off snapping for the pen tool (with an option to turn it back on if we ↵Pushkar Joshi2012-04-19
| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | decide to, later)
| * | | | | | | | | | | | | | | | | | fix a bug with closing the subpathPushkar Joshi2012-04-18
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| * | | | | | | | | | | | | | | | | | re-enable dragging and editing of anchor point handles for bezier path ↵Pushkar Joshi2012-04-18
| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | editing in 3D
| * | | | | | | | | | | | | | | | | | compute the translation to new center of bounding of the subpath --- this ↵Pushkar Joshi2012-04-18
| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | preserves the correct transformation applied to the subpath. This is a good snapshot of the polyline drawing in 3D (with some minor bugs).
| * | | | | | | | | | | | | | | | | | allow drawing polylines in YZ and XZ planes as well as XY. In those planes, ↵Pushkar Joshi2012-04-18
| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | still have bug with shift when the bbox of the path grows (due to missing translation)
| * | | | | | | | | | | | | | | | | | Fairly stable version of polyline drawing code that works for paths on XY, ↵Pushkar Joshi2012-04-17
| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | YZ, XZ planes. Current bugs: if the new point increases the bbox of the canvas, the entire canvas is shifted (due to inconsistency with center of rotation) AND the first two points added to planes other than XY have incorrect local coordinates (due to missing local coordinates)
| * | | | | | | | | | | | | | | | | | took out bad merge line and use different function for converting points ↵Pushkar Joshi2012-04-17
| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | from local to global coords (the latter should be a temporary change as I will significantly change this)
| * | | | | | | | | | | | | | | | | | Merge branch 'master' into pentoolPushkar Joshi2012-04-17
| |\ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | Conflicts: js/tools/PenTool.js
| * | | | | | | | | | | | | | | | | | | Snapshot for pen tool before merging with master....can draw polylines (no ↵Pushkar Joshi2012-04-17
| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | prev, next) handles and hit testing in 3D. Update of the canvas with a transformation on it will modify the canvas incorrectly, and will be completed after merging with master
| * | | | | | | | | | | | | | | | | | | re-enable some hit testing and change the code for obtaining 3D (stage ↵Pushkar Joshi2012-04-16
| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | world) point when there is no canvas yet
| * | | | | | | | | | | | | | | | | | | limit the size of the subpath canvas by ignoring the last point added that ↵Pushkar Joshi2012-04-16
| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | tool the canvas size over the specified limit
| * | | | | | | | | | | | | | | | | | | Allow the path stroke width to be changed without causing a drift in the ↵Pushkar Joshi2012-04-16
| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |